appeared on Spotify and iTunes on Thursday night, in a manner not unlike the surprise-release of TPAB. With only that warning, eight new Kendrick songs under the name untitled unmastered. It cud be 2nite So don’t ask me jus stay close to the net.” (Kendrick retweeted that post, sly one that he is.) Ive decided 2 drop a project 1 day this week. Further keeping fans on their toes, on Wednesday Tiffith took to his Instagram to say that one of those new projects would be released at random this week: “Just 2 show niggas I’m not playing. Dot, suggesting a new project might be imminent. In January 2016, he then debuted “Untitled 2” on The Tonight Show with Jimmy Fallon, having never formally released the first “Untitled.” During his scathing Grammys performance last month, Kendrick also rapped a new verse that some have labeled “Untitled 3.”Įarlier this week, Top Dawg Entertainment CEO Anthony Tiffith announced his label’s 2016 slate, teasing new releases from the entire roster - including Kendrick, with “? (get Top on the phone)” next to his nickname, K. In a sense, Kendrick has been teasing this project since December 2014, when he debuted the first “Untitled” on The Colbert Report, as the show’s final musical guest. and do we really have LeBron James to thank? Let’s take a look at the album’s backstory. How did we finally get untitled unmastered. That all changed when Kendrick dropped an unannounced new project out of the skies and onto Spotify last night, an eight-song treasure trove of untitled (and apparently unmastered), previously unreleased songs - including the Colbert and Fallon one-offs - less than a year after Butterfly. When Lamar pulled the same stunt earlier this year on Fallon, it felt like we’d all been fooled twice - once again teased with new music that would likely never materialize in any official capacity. Dot vault would soon become rap’s worst-kept secret. This was before the release of his sophomore opus To Pimp a Butterfly, and the assumption at the time was that the untitled track would appear on that album. Album DescriptionBack in 2014, Kendrick Lamar bid The Colbert Report farewell with the debut of a thunderous new untitled song. See More Your browser does not support the audio element. It's as vital as anything else its maker has released. While Lamar referred to these tracks as demos, and not one of them has the pop-soul appeal of "These Walls" or the Black Lives Matter protest-anthem potential of "Alright," untitled unmastered. Even while coasting over the latter's breezy and smacking groove, Lamar fills the space with meaning, detailing a confrontation with sharp quips and stinging reprimands. The stretch involves a rolling, ornamented retro-contemporary production from Adrian Younge and Ali Shaheed Muhammad (with vocal assists from Bilal and Cee Lo Green), a stitched suite that is alternately stern and humorously off the cuff (featuring Egypt, five-year-old son of Alicia Keys and Swizz Beatz, as co-producer and vocalist), and a finale of Thundercat-propelled funk. Remarkably, this hits its stride in the second half. offers this and other variations on the connected themes of societal ills, faith, and survival that drove the output it follows, with Lamar at his best when countering proudly materialistic boasts with ever-striking acknowledgments of the odds perilously weighted against his people. He observes terrifying scenes all the while sensing possible relief ("No more running from world wars," "No more discriminating the poor"). After an intimate spoken intro from Bilal, the set segues into an urgent judgment-day scenario with squealing strings and a resounding bassline as Lamar confronts mortality and extinction with urgent exasperation. Track-to-track flow, however, is about the only aspect of this release that can be called smooth. This was assembled with a high level of care that is immediately evident, its components sequenced to foster an easy listen. The dates indicate that the majority of the material was made during the sessions for that album, and the presence of many of its players and vocalists is unmistakable. A postscript, it's (artfully) artless in presentation - not even basic credits appear on the Army green liner card in the compact disc edition - yet it's almost as lyrically and musically rich as To Pimp a Butterfly. Apart from segments previewed at the Grammys and late-night television appearances, there was no formal promotion. consists of eight demos that are simply numbered and dated. Issued without advance notice 17 days after Kendrick Lamar's riveting 2016 Grammy Awards performance, untitled unmastered. KENDRICK LAMAR UNTITLED UNMASTERED BUY DOWNLOADPurchase and download this album in a wide variety of formats depending on your needs.
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